The Shortbox: The Brutal and the Abysmal

Criminal: The Sinners (part 5 of 5)

writer: Ed Brubaker

artist: Sean Phillips

Marvel/Icon Comics, released 3-10-10
I love Ed Brubaker. I love Sean Phillips. And thus, as I've professed time after time on the site, I love Criminal. The Sinners, the latest miniseries from the pair, wrapped up two Wednesdays ago in predictably brilliant style.
The Sinners is another Tracy Lawless story, my favorite of the principal characters we've been introduced to thus far for a bevy of reasons, but most likely because of his similarities to Richard Stark's mastermind thief Parker from that series of novels. This time we join Tracy as he's still working off his debt to syndicate boss Mr. Hyde. This is going unsuccessfully, so Hyde taps him to figure out who is knocking off all the kingpins in the city, fearing he's next.
There's all the usual noir hallmarks -- dirty cops, dames, double-crosses, druglords and deadbeats -- but as Bru just about always does, he'll mix and match everything so you're full of genuine surprise as he pulls the rug out from under you again and again.
It's another stunning winner from this dynamic duo, and continues to be a must-read.

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Ultimate Spider-Man Vol. 22: Ultimatum 

writer: Brian Michael Bendis

artist: Stuwert Immonen

Marvel Comics, released 1-13-10

And then there is the worst comic I've read in -- well, I'm not really sure, but it's been a while.
Much as I unabashedly love Brubaker and Phillips, I love Ultimate Spider-Man. It is such a consistently fun and wonderful read. Or it was until it's swan-song edition.
The fault in volume 22 is that it's an addendum to the grand* event Ultimatum. It doesn't wrap up the series and barely has a discernible plot of it's own.
To be fair, this is Jeph Loeb's fault. I tracked down Ultimatum after finishing this collection because I had assumed some pieces in the puzzle would be put in place, and they were. Problem was, only some of them were, and not nearly enough.
Hey, look, here's some characters you love. Watch me destroy them for no rational or explained reason.
In other words, this was Loeb writing big, but without anything substantive behind it to there were yet more parts of the Ultimatum pie strewn around in the other Ultimate titles, but I'm not going to bother to read those. Ever.
Okay, so this isn't really very short for The Shortbox anymore, so I'll stop ranting and rambling.
Magus, who is an expert on all things in the Ultimate line, has assured me that USM has returned to form now that Bendis isn't beholden to Loeb's event plotline, and the other Ultimate titles are, ahem, ultimately better because of that shithole of an event. A red pill/blue pill situation if I ever heard one.
My advice is, don't read volume 22 of Ultimate Spider-Man. It makes me so sad to write that because almost all of the other 21 volumes are fantastic.
*[giant eye-roll]

**Note on The Shortbox: I'm not interested in giving ratings on comics any more (or any other media, for that matter), so any future entries will not have a rating included. I think you'll be better served by reading my opinion within the entirety of the review instead.

The Shortbox 7/31/08

A Red Mass for Mars #1 (of 4)
writer: Jonathan Hickman
artist: Ryan Bodenheim
Image Comics, released 6-11-08
One of the great regrets of my failures to regularly post on LowBrowMedia as of late has been not singing the praise of Jonathan Hickman. This guy is an outstanding creator. His Pax Romana series is amazing thus far, while Transhuman is a surprisingly original take on the superpowered genre. Between the two titles, he has me completely convinced to proclaim him as the next big thing in comics now that Matt Fraction has clearly established himself as a big thing in the biz. And I haven't even gotten my hands on his first book, The Nightly News, which has largely been hailed as a modern masterpiece by other comic reviewers.
That sets the bar very high for A Red Mass for Mars, and for the most part, it doesn't disappoint.
The story begins by setting the stage for another unique Hickman universe. In this future, Earth has been decimated by virtually every conceivable disaster, whether it be natural or a result from human ignorance. Just when you think it couldn't get any worse, it does. A massive, hostile alien invasion. So what can Earth do to combat this threat? Well, there is only one answer: one man.
Now, this is essentially the Superman archetype turned on its head, which normally wouldn't excite me much. But in the hands of an such a dynamic storyteller, it's hard to imagine the end result being anything you'd expect it to be.
In this book, Hickman stays behind the keyboard as he did with Transhuman, but the book still has (what I assume is) that distinctive Hickman page and panel layout. Bodenheim does a fine job on the art. The color scheme the two utilize for this comic is particularly interesting. It's a subdued layering and really evokes a sci-fi atmosphere in a way that I haven't come across before. It truly is art of epic proportions.
In the end, this book is hurt by the expectations I had for it, but only marginally so. One of Hickman's great strengths as a writer he has exhibited thus far is setting the stage for his stories. That is what this first issue is. For the uninitiated, I can't guarantee you'll enjoy this particular comic as much as I have. I think it may read better in trade format, but that is based on the first issue. The setup for the series necessitated a grand introduction that required an entire issue, so you may want to wait for it all in one volume. However, for this story to fall apart seems highly unlikely.
8 out of 10

Daredevil/Magdalena #1 (one-shot)
writer: Phil Hester
artists: Phil Hester and Ande Parks
Top Cow Productions, released 6-11-08
Sometimes the problem with having a favorite character is that you can't recognize a mediocre story versus a fantastic one containing them. I'm irrecoverably guilty of that when it comes to Daredevil.
I purchased this one-shot essentially because it featured the Man Without Fear, but also because I was very curious how the art team of Hester and Parks would do when they tackled him, especially considering how much I enjoyed their stretch on a significant portion of Judd Winick's Green Arrow run. I knew nothing of Magdalena, and frankly didn't care.
Unfortunately for that character after reading this comics, I still don't care.
But that's inconsequential. It's about Daredevil for this reviewer, and Hester's version of him was certainly not extremely tortured Matt Murdock of recent times given to us from Bendis and Brubaker, but the guilt-ridden Catholic of later Frank Miller and Kevin Smith tales, which makes sense, considering that Magdalena herself is a Catholic warrior.
The story here is simple and ends somewhat predictably, so I won't go into it, but it's hard to surprise with a one-shot. What leaves me cold in this book is Daredevil mixing with the otherworldly. I know he exists in the same universe as mutants, skrulls and the likes of Thanos, but I just don't like it when he enters a full-on supernatural-laden story. Demons and Daredevil just don't mix well, as far as I'm concerned. He belongs battling crooks and other street-level adversaries in the confines of Hell's Kitchen. Hester keeps the two heroes in Hell's Kitchen, but there are some devil-spawns traversing about. All-in-all, it's a decent little story.
I kinda knew I'd be disappointed by this issue, but I got it anyway. Company crossovers usually leave you wanting more. If you're a hardcore Daredevil or Magdalena fan, this may be worth your time, but otherwise, spend your money elsewhere.
6 out of 10

Daredevil #108
writers: Ed Brubaker and Greg Rucka
artist: Michael Lark
Marvel Comics, released 6-25-08
Now this is more like it. This is the Daredevil that I love.
Re-teaming Brubaker and Rucka from their stint a few years ago on DC's Gotham Central, this new arc focus is on private investigator Dakota North, a Nelson & Murdock associate, as much as it is Daredevil. And really, in part two of a four-part story, she's immersed in the juiciest slice of the plot at this stage of the book.
Lark's art propels this murder-mystery in realistic fashion -- exactly the kind of story I love in a DD comic. It feels like a little piece of crime fiction rather than your standard superhero fare with art from someone of his talents.
This being the middle of the story, I find it hard to give an accurate rating (the introductory and concluding entries in a story are always much easier to evaluate), but this is the expected strong work from the parties involved in its creation. This does have the makings of a classic Daredevil story when all is said and done.
8 out 10

The Shortbox 5/29/08

The Immortal Iron Fist #14
writers: Matt Fraction and Ed Brubaker
artists: Tonci Zonjic, Clay Mann, Stefano Gaudiano, Kano and Matt Hollingsworth
Marvel Comics, released 4-30-08
Wow. That is how you relaunch a character, boys and girls.
Three years ago, I had no clue who Iron Fist was. Now, he's become one of my favorite characters and is very close to joining the elite company, comprised of Daredevil and Hellboy, of characters whose books I will probably never stop buying. And to have done this in only 14 issues? Once again, I am amazed by Ed Brubaker and wholeheartedly impressed by Matt Fraction. Combining them just isn't fair to my wallet.
For those not reading this book, in this most recent story arc kung-fu billionaire Danny Rand initially was immersed in a martial arts tournament of six of the craziest kung-fu masters ever conceived battling for each of their representative "Capital City of Heaven" to have access to Earth for a day every 10 years, as opposed to every 50. Added to that was a civil uprising in K'un-Lun (Iron Fist's city), the personal vendettas of the Steel Serpent, and an litany of HYDRA agents holding Danny's business manager, Jeryn, as well as friends Colleen Wing, Misty Knight and Luke Cage hostage. And that's the short version.
Sounds fucking awesome, right?
Well, it is.
It feels too soon for Fraction and Brubaker to let go of Iron Fist, but they are leaving it in novelist and comic newcomer Duane Swierczynski's capable hands (his new Cable series is quite extraordinary thus far -- I will review it eventually). And judging from where this issue ends, there is a limitless array of possibilities for Swierczynski to take Danny Rand and pals in. Can't wait for issue 15.
10 out of 10

The Order #10
writer: Matt Fraction
artists: Javier Saltares with Barry Kitson
Marvel Comics, released 4-30-08
I'll continue the praise of Matt Fraction in the following entry with the final issue of The Order. This book got off to a bit of a slow start, and really hadn't gripped me completely until three issues or so ago. It's a shame because Marvel had announced that #10 would conclude the series as soon as I got hooked into it hardcore.
The mostly new group of characters (Pepper Potts and Tony Stark being the only two with significant roles here that were around beforehand) never had actual powers, but would be given them for a year's time, then be replaced by other new characters, all while protecting California as part of the 50-State Initiative. It was an intriguing premise and the new characters had some great back-stories. Toss them up against Zeke Stane, Obadiah's son, as the villain, and you had a fantastic mess of problems for the team to deal with. But Zeke wasn't known to be behind everything until recently, and the book was taking it's time a bit too much before that revelation.
Sadly, The Order found it's stride too late to save it, but fortunately what was begun here will be continued by Fraction in his new Invincible Iron Man title, while the new characters created in the this book will be folded into Dan Slott and Christos Gage's Avengers: The Initiative book. If you like what happens in those books in the months to come, it might be worth your time to check out the trades from this one.
8 out of 10

Hellboy: Free Comic Book Day (2008)
"The Mole"
writer: Mike Mignola
artist: Duncan Fegredo
"Out of Reach"
writers: Mike Mignola and John Arcudi
artist: Guy Davis
"Bishop Olek's Devil"
writers: Mike Mignola and Joshua Dysart
artist: Paul Azaceta
Dark Horse Comics, released 5-3-08
This is probably the best thing I've ever picked up on Free Comic Book Day and certainly my favorite read from this year. It is comprised of three canonical stories from the Hellboy/B.P.R.D. universe, all tying into three recent storylines. I've assumed that these were moments that just couldn't fit in the normal books for whatever reason, and if not for this comic, they would have been left on the cutting room floor. I love Free Comic Book Day.
The first story taps into one of Hellboy's own nightmares. It is pure magic. I don't know what else to say about this short tale. If you are a Hellboy fan, you'll love this. The only possible gripe is that Mignola didn't do the art, but I don't know that we'll ever get art from him any longer.
The second story is an epilogue to a B.P.R.D. arc that ended recently. However, what's really exciting in this one is that it's a bit of a prequel to the upcoming storyline and we see that Johan will be very much involved in it. Love Johan. Can't wait.
The final story also is a companion to a B.P.R.D. story, the recent 1946 arc. It's not a direct continuation, but rather another story featuring Prof. Bruttenholm during his youth. I'm so happy that Mignola is finally fleshing out Bruttenholm in the comics. He's been such a marvelous character in the first movie and the live-action films. I've always been disappointed of his death in the early pages of the Seed of Destruction, so to see him in action is superb.
If you're not a Hellboy nut like me, then you may not care for this book at all -- all it's stories on the vague side and seemingly very simple. But for those fellow disciples, a free Hellboy and B.P.R.D. comics is one of the coolest things in the world.
It's FREE Hellboy!!!

The Overman #5 (of 5)
writer: Scott Reed
artist: Shane White
Image Comics, released 4-2-08
So, I promised a few months back that I would check back in with this sci-fi mini series when all was said and done. I'm very sorry that I did that. This was a horrible, nonsensical story. I really can't express my distaste for this book enough. Every once in a while you take a flyer on an indie book, and results such as these really make you think twice before wasting your money again. That's a shame because there are so many overlooked books from small publishers.
Anyway, don't buy this one. Give something else a try.
2 out of 10

The Shortbox 2/8/08

Captain America #34
writer: Ed Brubaker
artist: Steve Epting
Marvel Comics, released 1-30-08
By now, those of you that follow the comic industry probably know what has occurred in this particular issue -- a new Cap has emerged. Who is it? Well, I'll let you read the book or another site to find out, but in this humble reviewer's opinion, Brubaker has written another fantastic issue. Looking past the hype, it's a solid individual story. It sets the stage for the next arc while displaying what the new Captain America can do, including a few things Steve Rogers either couldn't or wouldn't have done. Steve Epting may be my favorite artist in mainstream comics right now, and this issue is a great example of why. Say what you will about the design of the new Cap outfit, but taken for what it is, Epting draws it well. But really it's his action scenes that shine over all aspects of this book. The man was born to draw Captain America throw that shield. This is definitely an issue worth owning.
9 out 10

Ms. Marvel #23
writer: Brian Reed
artist: Aaron Lopresti
Marvel Comics, released 1-2-08
I'm sure that there have been fans of Carol Danvers since her inception years ago, but the modern take on her introduced by Bendis in Alias and his House of M series has increased her profile immensely. As discussed previously at LowBrowMedia, Ms. Marvel has decided to mold herself into the greatest superhero on the planet, the title she held in the House of M universe. It's a fascinating and ultimately refreshing take for a superhero book to go on a quest of self improvement in the age of desconstructionalist approaches ala Frank Miller.
After the less-than-inspiring Civil War arc, this book has gotten back on track as of late. Reed is mixing together a very eclectic cast for Ms. Marvel, consisting of potential boyfriend Wonder Man, Sleepwalker, sidekick Arana, the hilarious Machine Man, and the surprisingly mysterious Agent Sum. Sum should have died several issues ago, but has an unexplained healing power. He is a very impressive leader in the field and, apparently, a high-ranking S.H.I.E.L.D. officer. His backstory is one I've become very interested in, perhaps even more so than Carol's personal mission. However, because of Ms. Marvel's inevitable involvement in the upcoming Secret Invasion event, he is also a potential skrull risk. I would be pretty disappointed in that revelation, but only because I feel his value as a support character in this book is greater than most.
In any event, this issue is strong with action, humor, emotional depth, character history and a couple of very nice twists. Lopesti hits it out of the park with his art and is a welcome contributor to the title. I assume that his new duties as regular artist on D.C.'s Wonder Woman will mean that he won't return to this book any time soon, but I hope he does. And I don't want to forget to mention Greg Horn's covers, which continue to impress. It's a solid book worth your attention.
8 out of 10

The Mighty Avengers #8
writer: Brian Michael Bendis
artist: Mark Bagley
Marvel Comics, released 1-30-08
Bendis and Bagley are back together again, and the team that brought us Ultimate Spider-Man for 110 issues combine forces for the best issue of The Mighty Avengers yet. Before this issue, I hadn't gotten very excited for this title thus far. Coupled with the long delays, the unconventional use of thought balloons, and a team full of mostly heavy hitters, the book just was really not my cup of tea. I'm a big fan of the work of Brian Michael Bendis, so this was definitely a surprise to me. I much prefer the more street-level feel of the current New Avenger squad since the split of the teams. That said, they are much more suited to deal with the symbiote problem in this issue. I've always loved Venom and Carnage (many of my first comics read as a young teen involved the original symbiote characters), so a slightly new spin on it was welcomed. Each panel had a lot of crazy action going on in it, and Bagley is well-suited for such a task. But the real treat of this issue is the interaction between the Mighty and New Avenger teams. The tension when the groups stand on either side of the same street is extraordinary, especially considering it all occurs on one page. I also have to congratulate Bendis on his use of thought balloons. Thus far, he has utilized the internal thought balloon in an almost Faulknerian manner, showing us more of their subconscious thoughts than the classic conscious monologues made famous in comic books of yesteryear. I haven't decided yet if I've gotten used to them or if he is simply doing a better job writing them, but issue 8 was the first time where I felt that they did not distract from the story.
Overall, this is my favorite issue of The Mighty Avengers. I still feel it could be better, but now I know that I'm not dropping it until after Secret Invasion at the earliest.
8.5 out of 10

The Overman #2
writer: Scott Reed
artist: Shane White
Image Comics, released 1-2-08
The tag line at the top of this comic is "Welcome to the end of the future." It's the kind of thing you'd expect to see on a one-sheet of a Sci-Fi Channel original movie, but I'm not even sure a screenplay of this mini series would be optioned. This issue was better than the first installment, but that's not saying much. The first issue was bizarrely complicated and a clear example of how not to introduce your reader's first glimpse into a new world. It wants us to think of it as a high-concept science fiction epic, but I just haven't seen actual examples of it yet. I'll check back in with this one after it concludes, and maybe it will live up to its creator's ambitions. For now, give another independent book a chance instead.
5 out of 10

The Shortbox 9/30/07

Amazing Spider-Man #543
writer: J. Michael Straczynski
artist: Ron Garney
Marvel Comics, released 8-22-07
This month, I kinda fucked up. See, I was going to write up reviews for five or six books, and I had them all picked out the first week of the month. But lo-and-behold it's now the last day of September and I still haven't posted. Tomorrow I'm supposed to get my new box-o-comics, so I have to write these up now. But there's only three of them this time because I've forgotten a ton of details and topic points of most of the ones I wanted to bring up.
Which brings me to this recent issue of Amazing. This is the last issue of this title that I am going to purchase, at least for the time being. I thought bringing back the Black Costume seemed like a cool idea despite being tied to the release of the third Spidey movie, but I was very wrong. Peter acting badass isn't really what I want to see. The best part of this arc was when he threw down with the Kingpen and beat him to a bloody pulp. The only bad thing about that was it was done way cooler about 50 issues ago in Daredevil by Bendis.
This particular issue finds Peter and Mary Jane forced to move a still-comatose Aunt May to a new facility. That would be interesting if this weren't a superhero book, but I just found myself not caring. A little action and humor please, JMS. I cared so little about this issue that I'm not even going to reread it so I can give it a proper review. It was dull, uninspiring and I can't wait for JMS's run to end. On the flip side, I'm glad I dropped the book now before having to pick it up three times a month once it goes into the hands of the convoluted new team system Marvel's developing for their flagship character. Just ridiculous. Avoid this one.
4 out 10

The Mice Templar #1
writer:Bryan J.L. Glass
artist: Michael Avon Oeming
Image Comics, released 8-29-07
This book was not what I was expecting. I had assumed for some reason that it would be a rather light-hearted romp of cute mice in the wilderness getting into trouble. I thought I'd be a great thing to give to my young cousins to get them to read something. I was very wrong and I can't tell you how happy I am about it. The Mice Templar was incredibly unique in the manner it shocked me, twisted my guts and made me care for characters I had only known for a few pages. Sure, you could give this book to a kid, but I doubt they'd fully grasp the gravity of what was occurring in it. It'd be like sitting a 5-year-old in front of Labyrinth who you would expect to enjoy the magic and wonderment in it, but then they got freaked out by Bowie's haircut and his baby-stealing ways because Ma and Pa didn't know that shit was in there. Or that was just me. Anyway, my point here is that this book isn't really for the younger crowd. This is a full-fledged epic. It just happens to feature mice in the lead roles.
Now, I've been raving about the concept of the story thus far, but I don't know that I would have enjoyed this book as much as I did if not for the astounding artwork. Oeming's using a style here that I've not seen from him before, and it's glorious. Keep in mind that I adore his work in things like Powers, too. But there is a fluidity here that his previous work doesn't contain. That said, I don't think a black and white version of this book would work. The coloring on The Mice Templar is what gives it that extra umph and takes it to the next level. Wil Quintana is to be applauded for his excellent work here.
I was intentionally vague as to what this title is specically about because I really think you should go in as green as possible before picking it up. Just be prepared to have a piece of your heart ripped out. You should get this one now. It's immediately apparent that this is a special book.
10 out of 10

Criminal #8
writer: Ed Brubaker
artist: Sean Phillips
Icon/Marvel Comics, released 8-8-07
Amazingly, I have not checked back in with Criminal here since it's inaugural issue. In that time, it hasn't disappointed. Because of this comic, I am now a crime fiction junkie, picking up every pulp novel and renting every film noir I can get my hands on. And what makes this one so great is that Brubaker is just rolling up all the best elements of the stories he grew up on and is smashing them together. The surprising thing about that is that the combination is actually fresh and has a great deal of character development in the stories thus far worthy enough of a college course discussion.
While the first arc concentrated on Leo, a quiet, seemingly cowardly thief, this new arc focuses on Tracy Lawless, a former special ops military man who is trying to find out what happened to his younger brother who he hadn't spoken to in years. Kinda like Get Carter with a heist angle. It's genius concept in my book and can't rave about it enough. Plus this arc has more action in it. Typically a plus.
One of the best things about Criminal is that, as a reader, we are never left with a story that is dragging out, as Brubaker fits into an issue what I expect him to do in an entire storyline. The other thing that I enjoy is the shear detail of the crimes. I'm a little lazy still in this post, so here's a page from this issue on the right that will illustrate what I'm trying to get across. See how Tracy knows how to make sure that the ATM camera won't even be able to film the perpetrator who rendered it useless? That sort of thing is all over the place in the book, and I love it. My brain doesn't work like that and I am amazed by those who are able to think like a criminal but are not actually one themselves.
As you can see, Phillips' art is great as always. This is definitely one of the best things on the stand right now. Unless you're sole interest is in the superhero genre, I can't imagine anyone not liking this book. Criminal has yet to disappoint me.
9 out of 10

The Shortbox 8/9/07

The Astounding Wolf-Man #2
writer: Robert Kirkman
artist: Jason Howard
Image Comics, released 7-5-07
The first issue was one of the features of this year's Free Comic Book Day, so hopefully you already have had a taste of this book. I felt that one went a bit by the numbers, essentially not giving us anything groundbreaking for a werewolf tale. But some aspects of the story, such as Gary's wife finding out that he's been bitten, were addressed right off the bat. This allows Kirkman to avoid dragging out cliche storylines. So I added the second installment to reward a promising new title.
In issue two, the Wolf-Man makes his first contact with other superheroes after finishing up his training with vampire Zechariah. There are some good action sequences from Howard, who implores a wonderful style in this comic book. You know it's a comic book when you open the pages and with Kirkman's sensibilities, that's a perfect combo. That said, this was a rather ho-hum issue overall until the final few pages. I won't spoil it for you here, but I'm sure issue 3 will certainly be worth buying.
7 out of 10

The Order #1
writer: Matt Fraction
artists: Barry Kitson, Mark Morales & Dean White
Marvel Entertainment, released 7-18-07
I'm a big fan of Matt Fraction. I love pretty much everything I've read by him. However, after reading his new book set in the aftermath of Civil War, I realize I may have been expecting a bit too much. The Order is the California team of the 50-State Initiative, and it will have a constantly rotating cast of heroes, no one lasting more than a year. Other than Tony Stark and Pepper Potts, these are completely new characters.
First off, the tone of this book is on the serious side, more so than I was expecting from the hilarious Fraction. Also, I was fairly certain at least one member of the team we met would be gone in one way or another before the close of the first issue, given the nature of the book. Plus, there's a lot of talking in the issue, and while there is a fair amount of fighting too, they didn't seem to balance well. Adding all of these issues together, and I was pretty underwhelmed. The art was great, but not enough to overcome an un-engaging story.
Is there still hope for the book? Sure there is. I probably knew too much about issue one from podcasts and Newsarama articles. But I know a lot about many new books these days and am often pleased with a new book. I like Fraction, so this one will still get a shot.
5 out of 10

Last Blood #2
writer: Bobby Crosby
artist: Owen Gieni
Blatant Comics, released July 2007
Last Blood is another book that put out its first issue on Free Comic Book Day 2007. That issue was a complete surprise because I had never heard of the creators or the publisher beforehand. It's the best example as to why FCBD is a great idea; I would have completely ignored the solicitation page it was on had I not read that first issue.
The story began in a very familiar fashion. A small town decimated by zombies with only a small number holed up together with supplies and shotguns. I went through the motions with it until I reached the halfway point, at which time a couple of vampires take out the zombies, thus protecting the humans. It turns out that the zombies have almost completely taken over the world. The vampires need the blood of the few humans who are left in order to survive, otherwise they will become zombies themselves. But they don't want to kill the humans, just take a blood donation here and there to sustain themselves. I've never come into contact with a vampire/zombie premise like this before and was compelled to order the second issue.
This one is more of the same horror goodness. While it by no means contains the greatest dialogue I've ever heard, it is good enough to propel the story farther, which is all I want. Even things I feel like I should see coming, I'm not, which is the mark of a good storyteller. I hope Crosby has big plans for this book and I hope some of you out there order a copy soon, because I doubt Blatant Comics is selling a ton of books. It may go the way of the dodo.
9 out of 10

Star Wars: Legacy #14
writer: John Ostrander
artist: Jan Duursema
Dark Horse Comics, released 7-11-07
I haven't checked back in on this Star Wars title since it began last summer and I'm not sure why. It's fantastic. Issue 14 marks the start of a new storyline, a great jumping on point for all of you uninitiated. Cade Skywalker has now stopped hiding his jedi heritage, but is still lightyears away from embracing it. He's basically a rougher, angrier version of Han Solo with the skills of a Jedi knight. While he is the focus of the book, the real treats come from the expanded universe: the broken Jedi order, the bastardized legion of Sith, the Galactic Empire (somewhat separate from the Sith in this story), and the Galactic Alliance, not to mention the plethora of alien races and rogue groups already introduced (though I'm probably missing a few factions of the intricate universe that has been set up by Ostrander).
This issues brings us Cade's first solo missing as he attempts to rescue his former teacher, who has been captured on Coruscant. In the process, we get more interesting tidbits revealed about Darth Krayt (the big bad of Legacy at the moment) and members of an Empire's air fighting squad (aspects similar to the new Battlestar Galactica, particularly Starbuck). It's all fascinating to me because I never thought the Star Wars movies went deep enough into the seedy underbellies that exist throughout its universe. This book takes us there. Add it to your pull list; it's far from just another licensed property book.
8 out of 10

The Shortbox 7/12/07

The Boys #8
writer: Garth Ennis
artist: Darick Robertson
Dynamite Entertainment, released 6-27-07
I'm going to do my best not to make a Thin Lizzy joke for this review. That said, two issues into their run at Dynamite and I don't think these boys are back in town yet (okay, so I didn't try very hard). It's a pretty solid issue, however, and you do have to keep in mind that this was written before the creators knew they were going to be ousted from their initial home at Wildstorm. In other words, the second arc is probably going to move a little slower than the first.
The depiction of sexually dysfunctional superheroes continues, which one would hope isn't the only despicable aspect to this world's protectors (wow, I guess I actually want there to be something more appalling than that), but damn if it isn't interesting. Thankfully, Ennis does balance the homosexual perversions with more realistic issues, some that occur today and other more fantastic ones that likely would if we actually had powered people running amok. Although there isn't anything in particular to get excited over in this issue, it no doubt is setting things up down the line. A little more info on the Frenchman and the Female wouldn't hurt either.
7 out of 10

Thunderbolts #115
writer: Warren Ellis
artist: Mike Deodato, Jr.
Marvel Comics, released 6-27-07
I added this book to my pull list on a whim, and while it's been okay so far, I haven't felt compelled to write anything about for LowBrowMedia until now. Deodato's art is phenomenal in the issue. It's been great all along, but now with the ridiculously awesome violence that was in this one, he's moved onto my "will buy a book just because it says 'art by Mike Deodato, Jr.' on it" list. Even though it's the Scorpion inside, the new Venom has some great scenes in this one (bring back Brock at any time, Marvel). But this issue truly belongs to Bullseye. Being one of my favorite villains (big DD fan, remember?), Bullseye really hadn't done much in the book thus far, which had been disappointing. Then, rather unexpectedly, Ellis unleashed the psychopath that Bullseye is, maybe crazier than I've ever read him before (and that's saying something). I'll stay spoiler-free for this review, but Bullseye's future is a giant question mark at the close of the issue.
Also, I really have to give props to Ellis for making me care about the F-list level heroes he's put up against the T-Bolts. I can't believe I actually give a shit about a guy called American Eagle and I was actually pissed when Jack Flag died a few issues back. For hating superheroes, Warren Ellis sure knows how to write them.
9 out of 10

Jack of Fables #11
writers: Bill Willingham & Matthew Sturges
artist: Steve Leialoha
Vertigo/DC Comics, released 6-6-07
Five months after starting this two-part arc we finally receive some resolution. That said, I did love the little "don't worry, we'll fix it in the trade" line that they gave at the end of Jack of Fables #6. This is turning into a pretty good book. I had my doubts about it's longevity early on, but it looks like it'll be around for some time. The most interesting thing about this story has been yet-to-be-seen ramifications of Jack's recklessness with the Snow Queen. We certainly haven't seen the last of her. Willingham's plan for these Fables characters is extraordinary. Making Jack's actions the cause for her becoming the cold-hearted, evil legend we all know was brilliant. I hope at some point the events of this book are felt in the pages of Fables, though I think that may be a long time coming.
8 out of 10

Moon Knight #11
writer: Charlie Huston
artists: Mico Suayan & Frank D'Armata
Marvel Comics, released 6-20-07
The first six issues of this latest incarnation of Moon Knight were some of my favorite books put out over the past year. Since then, Huston has tied MK into the greater Marvel U again, which in theory is a great idea, but the execution has been underwhelming at best. We've had guest spots from Spidey, Captain America, the Punisher and now Iron Man over the past few months. Steve Rodgers was the only one that didn't seem forced to me, but it certainly did not have to be included. These have all been little scenes tying into Civil War. In fact, despite the proclamation on the cover that this is an Initiative issue, the events actually take place before CW #6. How long ago did that book come out?! Has it been seven months already? So add to the lackluster plot and forced tie-in elements the fact that the plot occurred so long ago that I'm no longer interested. We know Moon Knight didn't do anything in Civil War already, so what's the point of forcing it down our throats this long afterwards?
The truly saddening thing about all of this is that Huston is clearly a good writer and has the character of Moon Knight down. But this is also his first comic-writing endeavor, and he hasn't learned how to do a proper tie-in yet. I hope Huston comes back to comics after his Moon Knight run, striking a Brad Meltzer-like balance between his novels and comic work. In the mean time, here's to Marvel picking a strong writer to take the good that Huston's done with the character and make him great.
5 out of 10

Wasteland #10
writer: Antony Johnston
artist: Christopher Mitten
Oni Press, released 6-1-07
It's been almost a year since I last checked in with Wasteland here at LowBrowMedia and a lot has happened. The various fractions of the story are beginning to come together now, and what I suspected then I can now proclaim is true -- this is a great book. Yes, it's still just getting started, but with every issue that comes out, it's clear that this story is going somewhere. I can't tell exactly where yet, but I do know that Johnston has a plan for it, and as long as we, the comic-buying public, keep supporting it, we'll get there. The astounding piece of information we got in this issue is that Michael, Abi and Marcus all have ties to a world that (through Marcus' memory) is much more like our own than the "modern" world of Wasteland. How this all ties back to the America that we know is what keeps me repeatedly riveted each month.
Mitten's art is great once again, and his style appropriately evolves when a dream, flashback or hallucination is shown. The great thing about this book is that it is by no means too late to jump on it. If you agree with my reviews on this site, then you'll love this book.
9 out of 10

Iron Fist #6
writers: Ed Brubaker & Matt Fraction
artists: David Aja & Russ Heath
Marvel Comics, released 6-27-07
Amazingly enough, I haven't reviewed this title yet for the site. As you can probably guess, I'm ecstatic for each and every morsel I can get on it. It's written by two of the most exciting guys involved in comics right now and drawn exquisitely by a bevy of artists. David Aja draws the present-day Iron Fist story, while the other artists take care of the flashback portions of the story, which there are a lot of. That process, while unorthodox, is great, not only because it will keep the book from going late, but the styles themselves compliment each other and the eras they are depicting. This issue closes out the first arc and guest stars the original Heroes for Hire crew kicking some Hydra ass along with Iron Fist and his grand-pappy, Orson Rand. It is wall-to-wall action this go-around, and it's just a great read. Taking the billionaire playboy down to nothing, then mixing classic kung-fu mysticism with modern-day sensibilities drives forth a compelling and riveting ride each time I pick up an issue. This is probably my favorite Marvel book right now and it has the potential to get better. Who knows if it will, but a kung-fu competition in the next arc is a great place to start.
10 out of 10

The Shortbox 5/5/07

Fallen Angel #15
writer: Peter David
artists: Kristian Donaldson & Rhonda Pattison
IDW Publishing, released 4-25-07
Although I haven't reviewed an issue of Peter David's Fallen Angel for LowBrowMedia until now, I've been an avid follow of it since its inception. In fact, issue #1 during its DC run was one of the first comics I bought when I began reading the medium seriously a few years back. Volume two's issue #15 brings the third artist to draw the world of Bete Noire, Kristian Donaldson. He's a nice choice, reaching a comparative middle ground between of previous artists David Lopez and J.K. Woodward. I don't think I ever would have tired of Woodward's work on FA, but the life-like detail of his work had to be one of the reasons the book would take a month off here and there. In any event, Donaldson art is excellent, instantly catapulting longtime readers into territory they have already been in, albeit with a fresh twist. As for the story, David once again delivers an intoxicatingly delicious new character to the book: the self-appointed protector of Bete Noire before Lee ever stepped foot into town. I'm a bit disappointed that a story I enjoy has a main character teetering between the world of the book and the "real world" inside a mental institution (there's even a panel referencing an episode of Buffy where she was told her world was all in her head -- one of worst episodes of the show's run in my opinion), but this does seem to be headed in a new path compared to most sci-fi, mental-patient stories. This is not a book for everyone, but it's definitely a book for me. Go out and pick up the trades to catch up on this one. You won't be sorry.
8 out of 10

Hellblazer #231
writer: Andy Diggle
artists: Leonardo Manco & Lee Loughridge
Vertigo/DC Comics, released 4-18-07
This issue concludes Diggle's first arc on the title. It was only a two-parter, but it looks as though the Vertigo editors have found yet another strong writer to take us on the journey of John Constantine. In the great tradition of many other Hellblazer tales, I never knew quite what to expect on the next page, but there was still an undeniable familiarity with this story. Perhaps that was due to Manco's artwork being just as gritty and dark as the previous arcs that he's been a part of, but I also feel as though Diggle has a dead-on conection with Constantine. Another two-part arc is on deck. Hopefully we'll get more of the same.
8 out of 10

B.P.R.D.: Garden of Souls #2
writers: Mike Mignola & John Arcudi
artists: Guy Davis & Dave Stewart
Dark Horse Comics, released 4-11-07
I always have the most difficult time trying to sum up an issue of Hellboy or B.P.R.D., more so than any other title. Part of that is due to being a huge fan of all things Mike Mignola, and it is also partly because of the sheer depth of mystery surrounding every story in this series. Just the littlest things can mean so much in this book. Take the little girl on page 5 -- Davis' depiction of her may be the creepiest little girl in a comic I've ever seen, and when you keep in mind the sort of things I read, that's saying something. There is pure death in those eyes, but it's unlike any other evil-kid eyes I can recall; she's somehow soulless and emtional at the same time. In any event, Garden of Souls is delving deeper into the history of Abe Sapien, which considering he was created almost 15 years ago, it's about time. But judging on how intricately and delicately this mystery in unraveling, it's going to be completely worth it in the end. Just an absolutely stunning comic.
10 out of 10

Green Arrow #73
writer: Judd Winick
artists: Scott McDaniel & Andy Owens
DC Comics, released 4-11-07
With news breaking recently that the Green Arrow solo series is winding down, I realized that I don't care that much about it any more. It happened rather quickly, too. A few months ago I loved this book. It was hands-down my favorite offering from DC, full of action and surprises each month. All I can guess to why is that Ollie as Star City mayor has just gotten old. At first, I had hoped Winick was going to make Ollie battle just as hard in the political realm as he did on the rooftops and in the streets. Instead it seems as though everything is being laid to rest as quickly as possible in order to make way for the inevitable Green Arrow/Black Canary book that will be coming our way in a year's time. Who knows if this was Winick's plan for Green Arrow all along or if DC editorial has forced him to wrap everything up in one fell swoop, but I say it stinks of corporate interference, which is flat-out sad and all too common with that company these days.
4 out of 10

New Avengers #29
writer: Brian Michael Bendis
artists: Leinil Yu & Dave McCaig
Marvel Comics, released 4-11-07
Man, am I digging this book. I thought I liked it pre-Civil War, but with this new lineup, I am just floored. The reveal of the new Ronin can't come soon enough for me (which will be with #30). The dialogue is off-the-charts good in this issue, particularly the Danny Rand and Jeryn versus Iron Man and Ms. Marvel conversation, but not excluding the team's banter throughout the remainder of the issue. Bendis is just running on all cylinders with this book right now, which makes the presentation of his companion title The Mighty Avengers come across as annoyingly dull. Plus, I can't speak highly enough of the addition of Dr. Strange to the team. Bendis is making great use of him thus far, although Yu could try to draw Wong look like he's younger than 70. One other minor complaint: where the hell is Night Nurse?!?! I know you love her, Bendis. If you can squeeze Jessica Jones in each issue, you can plop Night Nurse in there, too. I'm just saying...
9 out of 10

The Shortbox 1/26/07

Powers #21
writer: Brian Michael Bendis
artist: Michael Avon Oeming
Icon/Marvel Comics, released 11-29-06
Because this book has been erratic with it's publishing schedule since moving to Marvel's Icon line, when I opened up the first page, I had no idea what was going on anymore or who was lying dead on the floor before Deena and Christian. Unfortunately, Powers has not been the same since bolting from Image to allow Bendis to sign his exclusive deal with Marvel. While I jumped on the series with the beginning of volume two, I've since gone back and read all of the Image issues. Those 37 issues are absolutely amazing -- filled with fantastic action, huge plot twists, hilarious and poignant dialogue, and the great talent of both Bendis and Oeming at the top of their games. You should all log onto eBay and buy them when finished with this article. Sadly, the pace has dropped considerably since the move to Icon and the jump in time in the Powers universe. Well, until issue #21. This one was full with as many visual twists as there were plot divergences, most perfectly timed with the turn of the page. I'm dying to detail them all, but won't. Let's just say the dead "power" on the floor on page one isn't the last by book's end. I hope this is a sign of more crazy goodness in Powers. It's been too long.
10 out of 10

Winter Soldier: Winter Kills #1 (one shot)
writer: Ed Brubaker
artists: Lee Weeks, Stefano Gaudiano, & Rick Hoberg
Marvel Comics, released 12-27-06
Since his reintroduction to Marvel continuity, Bucky Barnes has been shrouded in mystery. Appearing almost exclusively in the pages of Brubaker's Captain America thus far, we have only gotten a few extended glimpses into Bucky's life. Now known as the Winter Soldier, he's tapped by Nick Fury to take down a suspected Hydra cell on his own -- on Christmas Eve no less, his one night off on the year. Throw in a trio of Young Avengers out on Civil War business, and there's a nice mix witty banter, furious combat, and insight into Bucky's state of mind. This issue is a great byproduct of the Civil War delay, because it probably would not have been written without it. As much as a part of me would love to see a Winter Soldier series, I hope Marvel resists that temptation and hands us the occasional one-shot focusing on him or a well-placed guest spot in another book from time to time. Revealing too much of a character such as this too quickly will only kill the intrigue that has built up.
9 out of 10

Union Jack #4 (of 4)
writer: Christos N. Gage
artist: Mike Perkins
Marvel Comics, released 12-20-06
This mini-series spinning out of the pages of Brubaker's afore mentioned Captain America series has proven to be a fine gem each month in my stack. (It also began strongly. See here.) Gage has been easing into the realm of comics, as he's well established in Hollywood for his work on shows such as Numb3rs and Law & Order: SUV. After reading this series, I now have my eye on him. With Union Jack, Gage explores one of the less-popular Marvel heroes in a politically charged story full of classic comic-book goodness, and it doesn't come off as dated or contrived in the slightest. Joining the title character are a nice trio of D-list characters, all of whom were interesting choices to form a team with given their interactions with each other, even though I had never heard of a single one of them beforehand. Added to a very good story is artwork by Mike Perkins that explodes off of the page in nearly every panel.
I have a feeling this title got lost in the shuffle with all the Civil War brouhaha, which is unfortunate because it deserved more attention. I'd also like to see another mini with this cast of characters. I'm pretty sure both Gage and Perkins have another story with this crew up their sleeves. In the meantime, I hope this story will be collected in trade. If you see it, definitely pick it up.
8 out 10

The Shortbox 11/30/06

Criminal #1
writer: Ed Brubaker
artist: Sean Phillips
Icon/Marvel Comics, released 10-4-06
As much as I enjoy the science fiction, fantasy, and superhero genres, my favorite will probably always be crime stories. If it's well-crafted noir, gangster, or espionage, I'm almost always sold in an instant. The new ongoing series Criminal from Ed Brubaker and Sean Phillips is a crime comic and, to put it mildly, I'm in love. I've reread this first issue 5 times since I've gotten my hands on it. I reread a lot of my comics, and some of them I've read more than 5 times, but never in less than a month's time. There is magic within the pages of this comic, and I'm not sure that I'm going to be able to describe why I'm so head over heels for it.
It's no secret to those of you who have read my articles here at LowBrow Media that I think Brubaker is writing at a level unparalleled in comics at the moment. Everything he's been putting out has been truly phenomenal. Then re-team him with the brilliantly talented Phillips, who has done some really fine work on Marvel Zombies since their collaboration on Sleeper from Wildstorm/DC a few years back. (I still have yet to read all of Sleeper, but I have to say its one of the best things I've ever read.) It sure looks like Criminal, with it's cast of creator-owned characters under the anything-goes Icon imprint, has the potential to be the perfect comic book series for someone like me.
I'm not going to get into the plot in this review. I'm sure other review I'll write will cover that in the future. I'm going to tell you what I know about this title and why I think it's going to be great. First off, its closest comic cousin is probably Sin City. It'll be focused on the underworld of society, a real world with guns and blood, but no superpowers and no miracles. There is not a main character. Sure, each arc will focus on a character or two, but then it'll move on to someone else's story. These stories will overlap in time and the most characters will interact eventually. I bet that a couple of characters who are referred to in this first issue who do not appear in panel we will not meet until ten issues into the series. The first arc's main character is a guy named Leo. He's a main character, not a hero. If you can tell the difference and you can appreciate that difference, this comic is for you. In fact, if any of this sounds good to you, this comic is for you.
And then there is what may be my favorite aspect of Criminal -- the covers. Phillips has absolutely outdone himself here with these. Issue one and the advance peeks of subsequent issues look gorgeous. They have that old movie poster feel to them, which has fallen out of favor for some reason amongst the studios. I swear I can see Lee Marvin's mug lurking in the background of each one. Just beautiful stuff.
In conclusion, buy Criminal. Buy a bunch of copies. Give a copy to your friends who only read superhero comics. Hell, give a copy to your friend that doesn't read anything, let alone comics. Just get this title off the ground. I can't believe I have to wait a whole month for each issue. It's just not fair.
10 out of 10

X Isle #3 (of 5)
writers: Andrew Cosby & Michael A. Nelson
artist: Greg Scott
BOOM! Studios, released 10-11-06
Halfway through this mini and things continue to get more intriguing. BOOM! has been coming out recently with a really diverse collection of titles. X Isle has been billed online as a Lost knockoff, which I could see saying after the first issue, but after the third it's not a very accurate description any longer. I think this comic is a bit closer to a sci-fi island version of Land of the Lost, only the people they dropped off are actually interesting. It's difficult to pinpoint what the purpose of this group of people on this island is, but if they continue to be attacked by plant monkeys, I'll be satisfied. (That's right, plant monkeys.)
7 out of 10

The Damned #1 (of 5)
writer: Cullen Bunn
artist: Brian Hurtt
Oni Press, released 10-18-06
When I first read the solicitation for The Damned, I had dreams of two of my favorite universes colliding: The Godfather mixed with Joss Whedon's daemons. Of course, it falls short of my personal grand vision, but it's still worth checking out if you're up for some genres combining that usually don't. What newcomer Cullen Bunn brings to the table is a gripping tale of a cursed man who can't die, but can get even. Eddie is damned, for lack of a better term, to never die. Sure, he can take a dirt nap for a few days, but if he's dug up again, he's back up and doing the bidding of mob bosses. Mix him up with a couple of crime families and an ex-girlfriend, and you've got the base of a pretty good story going. My one gripe about Bunn's work is the dialogue of a few of the supporting characters. It's a bit too much like a James Cagney movie for my taste, but thankfully I couldn't pick out an Edward G. Robinson amongst the cast. Meanwhile, Hurtt's art is solid throughout the issue, but none of the character designs appear to be entirely original; that said, I'm not certain that they are supposed to be. The characters very well could be drawn to evoke a classic feel to a world that is very unfamiliar. In the end, take a chance on it if you're in the mood for something a little different.
7 out of 10

Casanova #5
writer: Matt Fraction
artist: Gabriel Ba
Image Comics, released 10-18-06
I'm checking back in on this title that I gave a perfect score to it's inaugural issue a few months back in The Longbox, and all things continue to be a go. I love this title. It's crazy and I have to reread it before totally absorbing everything Fraction and Ba pack into each issue, both visually and structurally. This issue was particularly fun. The mission for Cass this time around is to infiltrate the last island of savages left on the planet, kinda like Kong Island in King Kong, but it still exists just like that in modern times. I really, really want to spoil this for you right here, but I won't. I think it's pretty safe to say you won't guess what comes next; I sure as hell didn't. It's fun, it's smart, it's violent, and it's has some really touching moments as well, as it resolves the fate of Casanova's mother. It'll take a bit for new readers to wrap their head around the world of Casanova, but it's completely worth it.
9 out of 10

Doctor Strange: The Oath #1 (of 5)
writer: Brian K. Vaughan
artist: Marcos Martin
Marvel Comics, released 10-4-06
Doctor Strange hasn't really done anything cool in any story that I've read with him in it. He more often than not has been used by writers as a deus ex machina, and because of that tactic, I've developed a involuntary "oh, come on" syndrome every time he pops up in a panel. I didn't lay down $2.99 so some mystical dude can pop up out of nowhere, wave his arm, say "bibbity, bobbity, boo" and Iron Man is suddenly out of his jam. That said, because he's constantly being used tells me that once upon a time he was bad ass. That knowledge swimming in the back of my head combined with one of my favorite authors out there right now penning this miniseries drove me to pick up this one that I would have passed on most any other time. And I am glad I did. First off, the art is fantastic -- a bit cartoony, yet somehow not -- and full of color. Meanwhile, BKV mixes humor (Iron Fist chatting with Arana was just plain great) with full-force drama, unapologetically delivering the unique world of Stephen Strange to us behind an intriguing mystery -- who shot and robbed the doctor, stealing the exilir to cure Wong's cancer, and who orchestrated the whole she-bang. Add the answer to these questions along with Night Nurse and you can count me in for the whole series.
8 out of 10

The Shortbox 10/6/06

Birds of Prey #98
writer: Gail Simone
artist: James Raiz
DC Comics, released 9-20-06
I finally think I've gotten a good grasp on the ladies of BoP since their one-year-later jump, but it's taken longer than I'd have liked it to. Now that Black Canary is back in the fold, things are getting back to normal, meaning that there is plenty of craziness to unravel. The big twist this issue is the appearance of a new, mysterious Batgirl. The inclusion of Rose Forrest/Thorn for a scene earlier in the book is a pretty sad fake hint as to the identity of the new Batgirl. For one, Thorn lacks the transportation ability that Batgirl possesses, as well as the freckles adorning her nose and cheeks visible beneath Batgirl's mask. Cassie (the most recent, yet currently retired Batgirl) is busy being an assassin, so it's not her either. Frankly, even by the end of the issue, I don't really care who it is. Issue #99 will have a lot of work to do to get me excited for what one would expect to be very big issue #100.
6 out of 10

Claws #2 (of 3)
writers: Jimmy Palmiotti & Justin Gray
artist: Joe Linsner
Marvel Comics, released 9-13-06
Eventually, someday, I will buy a mini series featuring the Black Cat and not be horribly disappointed. The first issue was nothing special, but I could still see the potential for at least an enjoyable read by the end. This issue shattered that. All Wolverine and the Cat are doing is avoiding being killed by a bunch of nameless hunters in a very uninspired fashion. This does not live up to the standard of the film Surviving the Game, the best people-hunting-people story I've ever been exposed to. However, the disappointment of this series is mainly due to the reveal of the villain, who has very likely been contracted by someone else with a legitimate vendetta against Logan and Felicia. This villain should be regulated to Marvel Adventures titles, not the Marvel Knights imprint. Even if there was a good reason to slap these two protagonists together, it has not even been hinted at yet. This is a very underwhelming effort given by Palmiotti and Gray, who have shown themselves to be a solid writing team, which is evident in the highly enjoyable Heroes for Hire and Daughters of the Dragon books. With the exception of a few funny visual gags, this mini is flat out not worth your money or time.
3 out of 10

The Cross Bronx #1
writer: Michael Avon Oeming & Ivan Brandon
artist: Michael Avon Oeming
Image Comics, released 9-6-06
Set in the eponymous section of New York, The Cross Bronx is an intriguing premise. Our main character is Rafael Aponte, a detective who seems disillusioned -- by what, we are yet to discover; however, due to the repeated inclusions of moths and religious iconography, I'd have to say it's got something to do with a combo of those. What does religion have to do with moths? Hell if I know; go ask a Christian entomologist. Anyway, Rafael is following the trail of a gun involved in a multiple murder case, leading him to the former owner's family. Further coincidences between the family and the murder are teased, followed by some more mysterious killings.
There is plenty of moody art in this issue. Because of Oeming's style, I can't help but be reminded of he and Bendis' fantastic Powers while reading this, but I believe after another issue, the differences in tone between the two will become more prevalent, thus separating it from his creator-owned masterpiece. The depictions of violence here are gruesome, and he has done a wonderful job with it.
I think this book has some real depth to it and, depending on how events progress in the mini, could even be turned into an intriguing ongoing series. This is not one to be missed.
8 out 10

Jack of Fables #3
writers: Bill Willingham & Matthew Sturges
artist: Tony Akins
Vertigo/DC Comics, released 9-27-06
It took a few issues, but it now looks as those Jack of Fables does have enough legs to stand apart from Fables on its own. Many fears I'd presented in a Shortbox article a few months back have been laid to rest at the close of this issue. There is certainly a foe worthy on the same level as the Adversary in Fables with the Librarian and all of his employees. Jack has grown on me as a hero, but it's still hard to relate to him. He's simply too perfect. I prefer a hero I can relate to, which is why I like Daredevil fighting to serve justice and his own desires in the midst of the chaos that his life constantly brings. Jack may reach similar hardships in time, but right now he is the dashing, incredibly handsome guy who always wins a battle of wits, not to mention that his has a healing power akin to Wolverine. (I only have the incredibly handsome thing going for me.) That said, Jack is likable enough to root for, and I expect the more I invest in his character, his likeability will only increase. Pick this one up now, as well as the first two issues; they are probably still on the stand at your local shop.
8 out of 10

Union Jack #1 (of 4)
writer: Christios Gage
artist: Mike Perkins
Marvel Comics, released 9-20-06
Moving along to the other book in my stack featuring a lead character named Jack, comes the international terrorism thriller Union Jack. This mini spins out of the recent "Twenty-First Century Blitz" arc from Epting and Brubaker's Captain America. It takes place afterwards that storyline, though how long is unclear, and in the end unimportant. What is important about Joe Chapman is, unlike the two men who wore the uniform before him, he comes from a blue-collar background as opposed to the British aristocracy that they belonged two. Social class, while certainly causing instances of contention here in the states, is a much larger source of conflict in Great Britain. This Union Jack is a man of the people more than he is a mere vampire and werewolf slayer. While I have to admit I was kinda bored with most of this issue (the rest of the cast just is not very interesting to me yet), the last few pages really hooked me, especially considering that the man of the people just wrote many of their death warrants with a decision he made. I absolutely love a character that majorly screws up; it gives them the greatest motivation to make up for it, if they ever can. Now it's Jack's turn to do just that.
7 out of 10