Showing posts with label television. Show all posts
Showing posts with label television. Show all posts

Saturday, December 24, 2011

Best of 2011 - The Year In Television

Welcome to part 2 of Genres & Judgements' Best of 2011 lists, this one is for the ten best TV shows of the year.

There is so much good television on these days, especially comedies. When I started to think about the shows I was going to have to leave off this list, I almost turned it into two -- one for comedies, another for action/drama shows -- but 10 is just such a nice, simple number. And I'm lazy. Who knows, maybe next year! Onward...
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10. The League (FX)
What a transformation The League has made. It's always been good for some laughs, but a few adjustments made in season three -- namely fewer plots revolving around fantasy football, more Nick Kroll and dropping that bizarre requirement of earlier years of a Jon Lajoie musical number in nearly every episode -- it's gone to the next level (evidence). There were also a bevy of well-placed guest stars throughout the season, including Eliza Dushku, Seth Rogan and Sarah Silverman, but none were better than Jeff Goldblum's turn as Ruxin's father (during the best Thanksgiving-themed episode for any show ever). It doesn't matter if you don't follow football or even play fantasy sports. The best parts of The League have little to do with that stuff.

9. Boardwalk Empire (HBO)
While most of the best dramas in 2011 built themselves into a fury before ultimately pulling back the reins during that final episode to the colossal disappointment of their audience (I'm especially looking at you, Sons of Anarchy), Boardwalk did no such thing. If anything, they went further than I ever dreamed they would. The reason this show is sitting this low on my list is because the early episodes continued the first season's slightly tedious plotting. But that changed in a hurry during the final slew of episodes. It'll be interesting to see if the show can continue at this level with the necessary changes as a result of the finale; I hope it can.

8. Parks & Recreation (NBC)
It's pretty safe to say this is the most consistent comedy on TV; it never ceases to make me smile a few times an episode, and that's between when I'm bursting at the seams laughing. The supporting characters are the best part about the show, especially Nick Offerman as Ron Swanson who never fails to kill his scene ("You had me at meat tornado."). The latest stretch of episodes haven't been quite as good as when season three ended in the spring (hence its drop in my hierarchy), but with recent events in the show, it appears that the less-interesting subplots have been excised. See what the gang in Pawnee is up to here to see what I mean.

7. Doctor Who (BBC)
Matt Smith's second year in the TARDIS was even better than the first. That said, this year's Who was one of the victims of building more anticipation for a grand ending than the show was able to deliver upon. However, in this case, the small stories away from the larger story arc of the season were mostly outstanding and still enabled to maintain its position in my good graces. And that big story... man. Is anything better in the Who-verse than River Song? There's so much magic evident when Alex Kingston and Smith share a scene. I know more River means less Amy and Rory, and would spoil us with too much of a good thing, but dammit if sometimes I want it anyway. Enjoy the Christmas special this week because it'll be a while until we get more adventures with the Doctor -- Fall 2012.

6. Game of Thrones (HBO)
What a debut season. After some slow plotting early on, Thrones failed to yield from my attention once it got going. Any other complaints regarding this fantasy action-drama are likely to be nit-picks. Having recently finished the novel which this inaugural season is based upon, I can attest that they really trimmed most of the fat from the narrative, leaving all the best parts to play out on screen. What's most exciting about this series is to hear from fans of George RR Martin's novels that the best is yet to come. We'll get at least three more years of Thrones, as they're already making preparations to split book three, A Storm of Swords, into two television seasons. Winter is coming, indeed.
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Did I leave your favorite show off? Got any guesses as to what the final five are? Find out after the jump.

Wednesday, February 25, 2009

Audio/Visuals 2/25/2009


Hey there Brow-readers, it’s Wednesday and you know what that means, new LBM.com content!

Okay, first off, a quick introduction, my name’s Magus and I’m the newest addition to the LowBrowMedia writing staff. I live and work in beautiful Central Pennsylvania where Jon found me and brought me on board. In any case, there’s no need to bore you all with a full bio, you’ll learn what you need to know from my writing. So let’s get to it?


Wolverine and the X-Men
head writer: Greg Johnson

Before I get too far into this I should say that thanks to some friends in Canada and the magic of the internet I’ve been able to watch 17 episodes of Wolverine and the X-Men. As I understand it, here in the United States, we’re only up to the sixth episode of the show. Don’t worry, I’ll do what I can to keep things spoiler free.

Marvel has gone to its well of X-Characters for a third time (I’m not counting Pryde of the X-Men) to produce an animated series with the most popular mutant (it would seem) taking center stage. The animation style reflects a solid progression from previous incarnations and the voice work is pretty top notch. However, it’s in the realms of story and character that the show tends to fall short.

The series starts itself off by taking two of the more powerful characters out of the mix. In a mysterious explosion, Professor Xavier and Jean Grey go missing and the Xavier Institute is leveled. In the aftermath, the X-Men have all gone their separate ways and an agency known as the MRD (Mutant Response Division) has cropped up. Also, it would seem that Magneto has taken to putting up billboards inviting mutants to join him in Genosha. This sounds like a decent set up but the execution leaves much to be desired.

The MRD is a seemingly nebulous organization that gets its authority from... Senator Kelly? It’s never clearly established how it came into being or just where it gets any legal jurisdiction. It gets a bit more confusing when Nick Fury and S.H.I.E.L.D show up.

When the X-Men finally get put back together and Xavier’s comatose body is found on Genosha, Wolverine is tapped as leader by an Xavier communicating telepathically with them from twenty years in the future. Xavier has come out of his coma, which seems to have stopped his aging, into a future dominated by Sentinels and a Cameron-esque post-apocalypse. The reason for Wolverine leading the team is not terribly clear and tends to neutralize any relevance that Cyclops has. In fact, all this seems to do is swap out the two characters. My brain just about melted and oozed out my nose during a scene where Wolverine lectures Cyclops about what it means to be on a team and that he’s either part of it or he can walk. Seriously. Brain melt.

Remaining true to the core of a character yet telling their story in a new and compelling way is part of the art of adapting and updating. By and large, most of the characters in Wolverine and the X-Men don’t fall too far from recognizable themes but Wolverine is practically reinvented for this show. He is softened and more team centered. He tends to be more emotional than he’s ever been shown in other formats. He wears the burden of leadership to live up to Xavier’s legacy. If I didn’t know any better, he and Cyclops have switched personalities.

This show feels like an attempt to cash in on the popularity and recognition of Wolverine and less about crafting a quality show. I know there’s the argument that it’s just a kid’s show and I should lighten up. Sorry, but DC managed to produce quality animated programs that not only kids could watch but older fans could enjoy. I just wish Marvel would bring Bruce Timm and Paul Dini on board for one of their projects.

In the end, if you have half an hour to spare and just want to see the X-Men doing cool stuff, tune in for Wolverine and the X-Men. Otherwise, keep waiting for an animated series based on Grant Morrison’s run on New X-Men.

Wolverine and the X-Men at Nicktoons
IMDB entry