Showing posts with label animation. Show all posts
Showing posts with label animation. Show all posts

Sunday, March 15, 2009

Reel Low - Next Avengers: Heroes of Tomorrow (2008)

Imagine a world in which the costumed heroes collectively known as the Avengers have seemingly vanquished all evil from Earth, turned in their tights and started families, only to be brought together once more to battle a reinvigorated Ultron, hellbent on world domination. It does not go well. They lose. They die. But their children are saved from the calamity. So begins Marvel's Next Avengers: Heroes of Tomorrow, an interesting entry in their new animated feature series.

How exactly the world's mightiest heroes are defeated is unclear. But this is not their story. It is the story of their kids becoming the next generation of Avengers.

The surviving four kids are raised by Tony Stark in seclusion over the course of 12 years, training to live up to their parents' mantels. They do plenty of dumb things along the way that their parents would never do in a Marvel story, but because they're sheltered kids thrust into new situations, they are completely believable.

This film is aimed at a different audience than the other animated features Marvel has released thus far. While they have all been rated PG-13, Next Avengers is PG. The brief synopsis at the out-start of the film is all viewers really need to know before stepping into this world, which is a good thing for youngsters and non-Marvel zombies alike. That said, there are plenty of Marvel easter eggs for the fanboys out there, too. Granted, I can see how the more well-versed fans out there will complain over the pairing of Captain America and the Black Widow, but I'm fine with good 'ol Steve liking Natasha enough to put a ring on it, and seeing as the result is a nice mix of Cap's leadership with a hint of the Widow's nasty streak was enough to seal it for me.

And that's probably the real fun of this flick: seeing how these kids are so much like their parents, but at the same time something new because of the combination of powers and personalities of their folks.

While there is that element of fun in Next Avengers and it's only rated PG, there is also an undeniable darkness to the movie. Everything these kids are going through reminds them of the parents they didn't know and how they were defeated by the very adversary who is attempting to kill them now. And through that darkness, they must persevere to become heroes with each awkward step they take. I find that universally appealing.

Now not everything is perfect. Henry Pym, Jr., son of Giant Man and the Wasp, is the biggest problem. His character annoys throughout the entire film, serving as comic relief that is commonly dished out in other cartoons through the animal sidekick. Henry is the youngest of the group, probably 12, so perhaps kids watching the movie will relate to him better, but his act ran will likely run thin on adults.

Also, Azari is severely underdeveloped as a character and is the least compelling of the group. He is the son of Black Panther and presumably Storm, who is not mentioned by name but by the otherwise unexplained electricity powers he possesses (that is, unless you think T'Challa got mixed up in some genetic A.I.M. experiment gone awry with Electro). There is plenty of material to mine for him from that combo, but was never delved into.

I have not watched the two Ultimate Avengers movies or Invincible Iron Man, all of which may serve as prequels (my research proved to be inconclusive). It'd be interesting to see if this continues the events in those movies in any way, but I have heard mixed things, at best, about them and have refrained from checking them out thus far.

However, I would welcome additional Next Avengers films. They would certainly continue to be produced with children in mind, but that underlying darkness that made this one more compelling than expected would continue to resinate in future installments.

Wednesday, February 25, 2009

Audio/Visuals 2/25/2009


Hey there Brow-readers, it’s Wednesday and you know what that means, new LBM.com content!

Okay, first off, a quick introduction, my name’s Magus and I’m the newest addition to the LowBrowMedia writing staff. I live and work in beautiful Central Pennsylvania where Jon found me and brought me on board. In any case, there’s no need to bore you all with a full bio, you’ll learn what you need to know from my writing. So let’s get to it?

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Wolverine and the X-Men
head writer: Greg Johnson

Before I get too far into this I should say that thanks to some friends in Canada and the magic of the internet I’ve been able to watch 17 episodes of Wolverine and the X-Men. As I understand it, here in the United States, we’re only up to the sixth episode of the show. Don’t worry, I’ll do what I can to keep things spoiler free.

Marvel has gone to its well of X-Characters for a third time (I’m not counting Pryde of the X-Men) to produce an animated series with the most popular mutant (it would seem) taking center stage. The animation style reflects a solid progression from previous incarnations and the voice work is pretty top notch. However, it’s in the realms of story and character that the show tends to fall short.

The series starts itself off by taking two of the more powerful characters out of the mix. In a mysterious explosion, Professor Xavier and Jean Grey go missing and the Xavier Institute is leveled. In the aftermath, the X-Men have all gone their separate ways and an agency known as the MRD (Mutant Response Division) has cropped up. Also, it would seem that Magneto has taken to putting up billboards inviting mutants to join him in Genosha. This sounds like a decent set up but the execution leaves much to be desired.

The MRD is a seemingly nebulous organization that gets its authority from... Senator Kelly? It’s never clearly established how it came into being or just where it gets any legal jurisdiction. It gets a bit more confusing when Nick Fury and S.H.I.E.L.D show up.

When the X-Men finally get put back together and Xavier’s comatose body is found on Genosha, Wolverine is tapped as leader by an Xavier communicating telepathically with them from twenty years in the future. Xavier has come out of his coma, which seems to have stopped his aging, into a future dominated by Sentinels and a Cameron-esque post-apocalypse. The reason for Wolverine leading the team is not terribly clear and tends to neutralize any relevance that Cyclops has. In fact, all this seems to do is swap out the two characters. My brain just about melted and oozed out my nose during a scene where Wolverine lectures Cyclops about what it means to be on a team and that he’s either part of it or he can walk. Seriously. Brain melt.

Remaining true to the core of a character yet telling their story in a new and compelling way is part of the art of adapting and updating. By and large, most of the characters in Wolverine and the X-Men don’t fall too far from recognizable themes but Wolverine is practically reinvented for this show. He is softened and more team centered. He tends to be more emotional than he’s ever been shown in other formats. He wears the burden of leadership to live up to Xavier’s legacy. If I didn’t know any better, he and Cyclops have switched personalities.

This show feels like an attempt to cash in on the popularity and recognition of Wolverine and less about crafting a quality show. I know there’s the argument that it’s just a kid’s show and I should lighten up. Sorry, but DC managed to produce quality animated programs that not only kids could watch but older fans could enjoy. I just wish Marvel would bring Bruce Timm and Paul Dini on board for one of their projects.

In the end, if you have half an hour to spare and just want to see the X-Men doing cool stuff, tune in for Wolverine and the X-Men. Otherwise, keep waiting for an animated series based on Grant Morrison’s run on New X-Men.

Wolverine and the X-Men at Nicktoons
IMDB entry